VVORK

»If You Leave, Walk Out Backwards, So I’ll Think You’re Walking In«, 2012. A site-specific sound installation by Hannah Weinberger.




»Listening Station«, 2008 by Tyler Adams.




»Salle de bains (Chantal Crousel)«, 2011 by Danh Vo.




»Mirroring the Musée«, 2009 by Adad Hannah.




»X (Bremen)«, 2010 by Kilian Rüthemann.




»The First Kiss (bending a building)«, 2009 by Riccardo Benassi.




»Untitled«, 2006,

»Untitled«, 2010 by Pieter Vermeersch.




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»Plaintes«, 2009 by Latifa Echakhch. Installation of eight charcoal wall drawings inspired by The Modulor, a system of measurements from Le Corbusier.




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“Mariana”, 2010, site specific wall rubbing by Daniel Turner.




»Last minute«, 2009 by Jorge Macchi and Edgardo Rudnitzky.




»La ascensión«, 2005 by Jorge Macchi.




“Like Taking Sand to the Beach”, 2006 by Blue Curry.




“Construction Materials Dijon”, 2004 by Lara Almarcegui. Construction materials of the
exhibition room.




»Dunepark«, 2009 is the excavation of a World War II bunker buried in a hill in The Hague. By Cyprien Gaillard.




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»Round Here«, 2007, site specific photographs, glass & circling light-bulb. By Darri Lorenzen. Video.




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“Unspecific Object – Top 09″ by Pfaffenbichler/Schreiber.




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“Untitled”, 2006 – site specific painting machine. By Natasha Kidd.




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Fruit & Vegetable stall” – Ivan Morison set up and ran a fruit and vegetable stall.




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»EMF Displacement« (2006) is a room sized sculpture of an electro-magnetic field realized for Locust Projects. The project consists of modeling the Electromagnetic field generated by the FPL substation adjacent to Locust projects. On view was a 10ft. X 12ft. sculpture placed on the floor. The field calculations were translated from computer model to physical dimensions, then built using the scale of the project room as a starting point. This way, the model was entirely site specific to LP, not only in subject but also in size and construction techniques. By Nick D Lobo.




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»Dictionary of Imaginary Places« 2006, is a site specific intervention at Ljubljana international airport. During the current expansion of the airport terminal the six line messaging service of the departure board has been modified to a twelve line, and a test program is being run every night to establish the capabilities of the old mechanical messaging service. In order not to confuse the remaining night time passengers with recognizable destinations, the developed software was set to automatically upload names from A. Manguel’s and G. Guadalupi’s Dictionary of Imaginary places which cites over 1.200 entries of imaginary cities, islands, countries and continents restricted to: no heavens or hells, no places in the future, none outside the planet Earth and no pseudonymous places. By Jasmina Cibic.