VVORK

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“Security, Love & Democracy (for export only)”, 2006 by Shahab Foutohi.




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“Independence Day 1936-1967″, 2009 by Maryam Jafri features archival photos mainly from the first Independence Day ceremonies of various nations including Indonesia, India, Ghana, Senegal, Pakistan, Syria, Lebanon, Malaysia, Kenya, Tanzania, Mozambique, Vietnam (South), and Algeria.




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“The Mosque”, 2010 by Mounir Fatmi.




“Office for Exchange of Citizenship”, 1997-1998 by Jens Haaning. The exhibition space was turned into an office crewed with a legal expert, who worked and did research on the possibilities of swapping citizenship between citizens from different countries.




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»Untitled Billboard«, 2007 by Harrell Fletcher.




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»Joggers (postcapitalism section 9)«, 1999 by Frank Perrin.




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In the portrait series »Freundefinden« by Marion Üdema, amateur partner-search photos from the internet were used as drafts for the large format pictures of the same staging with original models.




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»In the black of this long night«, 2008, an attempt to organize Google Image Search results according to defacement tactics. A slideshow by Martijn Hendriks.




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“Earthling 1, Respekt – Istanbul”, 2005 from the series “Earthling 1” by Warren Neidich.




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Photos from the series “Come & Be my Baby” by Lucy Levene.




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»Repairing Lebanon«, 2007, digitally repaired photographs taken in Lebanon after the 2006 conflict with Israel. By Lenka Clayton.




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»BASAYEV« (2006) by Niels Bonde.




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»Serafim«, 2004 (Ssawino-Storozhewskij Konvent, orphanage), »Corridor #1«, 2003 (boarding school of State Academy of Choreography at Bolshoi Theatre), »Philip«, 2003 ( Boarding school”Landschulheim am Solling” in Holzminden) and »#6«, 2002 (Frauenaufnahmeheim, Essen) from the series »Islanders« by Anastasia Khoroshilova.




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Still from »Forever«, 2006. Julika Rudelius casts five American women of a certain age for their beauty. They are posing at upscale private swimming pools and reflect on their ideas of beauty, ways to obtain it and it’s relationship with privilege. The video is punctuated by the women taking self-portraits with a polaroid camera.

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Still from »Train«, 2001. Julika Rudelius invites a group of young men on the street to be in a video in which they would talk about women and love. During the filming Rudelius leads the conversation through questions (not audible in the video), but without a script.




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»Role Exchange«, 1975 performance by Marina Abramovic. This dual performance was executed in two institutions, De Appel Gallery and the Red Light District in Amsterdam. For the opening night of the artist’s exhibition, the prostitute went to the gallery, the artist’s working place, while the artist, assuming the role of a prostitute, went to the Red Light District, and set in the window, the prostitute’s working place.




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Untitled pictures by Jaimie Warren.




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“5 Dogs – Schagen” from the series “Living Sculpture”.

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“Police Cars – Adelaide” (A police car temporarily placed on every floor of a multi storey car park. To reduce crime.) By Harmen de Hoop.




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In »Cop Talk« (2005/2006), representatives from national police forces are invited to give presentations at art academies in Europe, illustrating the opportunities within such a career and encouraging students to join up. For a country to have an effective police force, its constituent employees should reflect the demographics of its society. It is perhaps inevitable that members of arts communities are under-represented in the nations policing and this presentation is an attempt to address this situation and to begin to reverse this bias. Project initiated by Chris Evans.




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Vigilance 1.0 is a video surveillance game by Martin Le Chevallier. The player faces a series of screens allowing him to watch over many places in the same time : streets, supermarkets, parking lots, shops, apartment buildings, schools, etc. Denouncement is his aim. In a limited time (his work time), he has to point out the most important amount of infractions : robberies, pocket-pickings, burglaries, shop-lifts, breaches of the highway code, trash-abandoning, drug dealing, solicitation on a public place, procuring, drunkenness, sexual harassment, adultery, incest, pedophilia, zoophilia, necrophilia, etc. Each time the player catches one in the act, his points increase ; each time he defames, they lower. The game is downloadable.

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Safe Society is a 1 minute video by Martin Le Chevallier. Within an advertising time frame, the key concepts of a new security world are displayed. Low-fat butter, alcohol-free whiskey, non-lethal weapons. The video game images, which are often more dynamic and spectacular than their movie models mix daily and extraordinary events.




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Adi Nes




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