VVORK

»If You Leave, Walk Out Backwards, So I’ll Think You’re Walking In«, 2012. A site-specific sound installation by Hannah Weinberger.

“The Forty Part Motet“, 2001 by Janet Cardiff.
40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer.

Performance “Hybridsound”, 2008 by Fouad Bouchoucha and Yann Gerstberger. Video.

“Power Model V (Forced Feedback)“, 2006 by Henrik Rylander.

»untitled piece«, 2007, André Avelãs

»Plaited Cord«, 1998 by Seiji Morimoto.

A sound piece monitoring the live magnetic field of the house and drawings from the “Magnetic” series by Justin Bennett.

“Acqua falsa” and

“Totó Treme Terra” by Chelpa Ferro.

“All together now” – Playlist and

“Pair of speakers, audio” – Audio installation in which Marshall & Marshall emit popular duets performed by famous ‘couples’. By Jack Falanga.

»One on One« (2007)

»All the Lovesongs« (2007). Two facing speakers are joined in a soundproof box, playing a short loop of a song about relationships. By Nina Jan Beier & Marie Jan Lund.

“Audio Monitors” by Simon Blackmore. Resembling speakers, each monitor the sound levels in the space. When the the sound level is low led counters start to count up in seconds, displaying the amount of quite time in the space.

»Save Manhattan 03« by Mounir Fatmi.

»Tokyo Grand Design«, 2004 by P. Gaillard & Claude

»Empire« (2006)

»Limo Custom Kolkoz« (2006) by Davide Bertocchi.

»Acorn Electronics« by Jaygo Bloom.

»cube«, 2004-2005 from the series »constructions« by Alexandre Castonguay.

»Shots« (2002/3) Recording done in Culiacan, the capitol of the Sinaloa state, in Mexico, from 23:00 on 31 December 2002 until 00:30 on 1 January 2003, during the New Years celebrations. The recordings include live rounds from shot firearms and assault rifles. By Santiago Sierra.

»Untitled« by Leonard van Munster.

Detail from »Emergence« by Ala Ebtekar.

»A Propósito« (1997) consists of a sculpture of 120 stolen car stereos obtained on the black market, and a looped video projection documenting the artists stealing a car stereo.

»Jedbangers« (1998-2002) deals with the sub-culture of headbangers in Mexico City at the same time as it becomes an allusion to ancient transcendental practices. The video projects onto a screen sitting on top of a wall of speakers that constantly emanate white noise. Both projects by Yosuha Okón.