“Interactive Infrasonic Installation”, 2007-2008 by Reinhard Gupfinger combines a 250-inch long organ pipe, a wind generator and a video-tracking interface for multi-user interaction. Pace and direction of the movements of users create a variable subsonic environment.
Excerpt from »Blue, White and Red (tracking colors in Kieslowski’s Trilogy)«, 2007 by Aleksandra Domanovic.
Eye-drawings, “Augenzeichnungen”, (92-93) are drawings done directly with the eyes, without the slightest interference of the hands – the organ of perception being turned into the organ of expression. By Jochem Hendricks.
»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.
»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”
»’At’ Asserting its Object Status«. Found sculpture.
»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.
