VVORK

“Unique Forms of Continuity in Space“, (1913-2010) by Anna Louise Mack.

“Thing one”, 1997 by Carl Ostendarp. Epoxide resin, urethane foam.

“Artforum XLVI #10 p.74 [sic], Yokohama, 2008”, 2009 by Eric Baudelaire. Heliogravure on rag paper.

“Lipstick Economy (Dior Addict in Lingerie Pink)”, 2009 by Swetlana Heger.

“Die Schmetterlinge essen die Bananen”, 2010 by Marcello Maloberti. Video.

“RAZZLE DAZZLE (PPG), 2010 by Fabio Marco Pirovino.

“Eva”, 2009 from “Urban exhibition” by Claudia Comte.

“Rietveld’s monster in 10 parts”, 2010 by Ryan Gander.

“Erased Pictures from Flash Art Nr.259“, 2008 by Maria Anwander. The information from the erased pictures from an art magazine (Flash Art Nr. 259) is saved in the crumbs of the eraser. Each picture is packed in a plastic bag numbered with the page belonging to it. The viewer just can imagine by reading the text what the pictures were shown before.

“The Speaking Exercise # 1”, 2009 by Kate Owens. Framed digital print, picture hook, cord.

“La Nuit Américaine (The American Night / Day for Night)”, 2007 by Etienne Chambaud.

Video “Shadow Cuts”, 2010 by Martin Arnold.

“Et tu, Duchamp?“, 2010 by Subodh Gupta.

“Every wall drawing #146”, 2009 by Benjamin Bruneau. “Wall Drawing #146”, 1972 by Sol LeWitt.

“Colour Chart Painting: VERBALE“, 2007 by Thomas Feuerstein.

“Sound Drift”, 2005 by Timo Kahlen and Ian Andrews.

“Crystalline diagram”, 2006 by Uršula Berlot.

“Variable Risk Landscape“, 2004 by Dalibor Martinis.

“Diversion“, 2004 by Christopher Musgrave. Mirror, pre-existing architecture, sunlight. A mirror attached to south gallery window diverts the usual path of afternoon sunbeam across the gallery wall.

“Sonicity”, 2008-2009 by Stanza.