“Boiler”, 2010 by Kori Newkirk. Stainless steel, vinyl tubing, resin.
»Devil’s Fountain«, 1997, flattened paper tube from heroin smoking, by Stephen Shanabrook.
“Void“, 2002 by Carsten Nicolai. Sound, chrome-plated glass, aluminum, silicon, rubber.
»Angle«, 2008 by Darri Lorenzen. A pole hung at an angle slowly rotates in the middle of a space. During a one-minute sequence, bright lights directed at the pole gradually fade out, pause, and fade back in. As the space becomes darker, the pole glows.
“Soil Core Samples from The Lightning Field” by Uffe Holm. (Adhesive foil, fluorescent light tubes, lightning fixtures, electrical wires, timer).
“The Fountain of Prosperity” (2007) by Michael Stevenson. “The Fountain of Prosperity” is a reconstruction of the “Moniac”, a machine designed in the late 1940s by New Zealand economist Bill Phillips to illustrate the concept of monetary flow in national economies. A fixed volume of red-dyed water, representing money, is pumped through a system of transparent tubes and sluices into clear chambers representing factors such as “surplus balances” and “International Monetary Funds”.
Video “Waiting, Acting Waiting” and
Videoinstallation “Dance with Fluorescent Tube” by Isabell Heimerdinger.
“808-20B 2004″ – the 10-piece installation draws red light onto walls through laserpointers integrated into sprinkler systems. Video.
“07/13-04″ – the floor was completely covered with adhesive tape – save for a narrow strip where a lightbeam (emitted from a scanner mounted on an opposite wall) moved up-and-down the aisle. Video. By Sabina Hörtner.
“Lichtkegel”, “Sockel für einen Baum”, “Halbzeit – Mein Volumen verlässt einen Stuhl”, “Rohrverdickung”,
“Elfmeter”, “Hundeknochen” and “Spray” by Markus Hofer.
In the work Industrial Revolution, Gregor Jenkin takes materials and objects from the hardworking back-offices of Johannesburg and reassembles the components to new objects.
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