VVORK

»Global«, 2011 by Istvan Laszlo.




»About The Good And The Bad Sculpture«, 2009 by Hedwig Houben.




»In/Out List Spring 2008«, 2008 by Chris Moukarbel.




“Art Dispensing machine (ADM)”, 2004 by Osman Khan. Using Market-Of-One strategies, where companies wish to market and provide goods and services targeted at individual preferences, the ADM produces unique prints, based on the information kept on the magnetic stripe of a credit card.




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»Trial of Judas With Constant Reference to Dorothy Retallack«, 2007, tomato plants exposed to the infamous judas priest record, played backwards and forwards. By Tony Romano.

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Reverse play and normal play (3 weeks later).




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»Gold-Plated Skate Rail«, 2007, and

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»Walnut Skate Ramp«, 2007, by Andrew Lewicki.




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»Tennis«, 2007. Price of performance: from 170 €, price of photograph: 5.000 €.

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»Working on a farm«, 2007. Price of performance: from 200 €, price of photograph: 5.000 €.

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»Weekend at the Ritz«, 2007. Price of performance: from 2.300 €, price of photograph: 5.000 €. All photos from the series »Buy Your Own Art Experience«, 2007, by Sebastjan Leban & Staš Kleindienst.




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»CC Gallery« (2004). Photographic reproductions of works by internationally known artists, downloaded from the internet, printed in the original size and sold. By Yang Zhenzhong.




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»We All Can Dress As Europeans«, 2007, installation with 27 sweaters representing the 27 member states of the European Union. The price of an individual sweater is determined by the GDP of each member state. Price tag ranges from the most expensive Luxembourg, 384 €, to the cheapest Bulgaria sweater for 51 €. By Jure Purgaj.




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»Anhedonia«, 2007, 90 min. In psychology, anhedonia is an inability to experience pleasure from normally pleasurable life events such as eating, exercise, and social or sexual interaction. It was also supposed to be the original title of Woody Allen’s 1977 film Annie Hall, but it was considered unmarketable. By Aleksandra Domanovic.




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“Décontruction Marchande” by Coline Sunier.




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»Something relatively expensive that will depreciate in value to $100 by the year 2008«, 2006

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»A attempt to selflessly eradicate one’s individual identity«, 2006 by Jon Sasaki.




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»Urban Manoeuvres«, 2000 by Robert Rumas.




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»PPS (P.A.R.A.S.I.T.E. Public Sculpture)«, 2002 originates spontaneously in urban environments: on streets, in courtyards, next to apartment towers, by garden fences, in apartment-block communities and neighborhoods. It originates as the result of the exchange and gift economies of the local population and is linked to the micro-economy and micro-ecology of relationships. It directly reflects economic wealth/poverty, personal taste, and creativity. PPS is a temporary form. It changes constantly through unloading, shifting, adding, removing, and so on. By Tadej Pogacar.




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For the Love of God” by Damien Hirst.




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»Good versus Evil«, 2003 by Maurizio Cattelan.




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“Price On Request” – The installation employs a cardboard adhesive-band copy of the well-known art fair stands structures. These cloisonne modules are in general made of wood and steel and can be found in almost every kind of fair. By Art Basel Geneva (Cris Faria and Lukas Mettler).




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»Necklace« by Ted Noten. The price of the necklace changes every day depending on the price of gold, lowest price being € 1600,00 and the highest € 2511,00.




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During the last remaining weeks of the year 2000 Jochem Hendricks had his annual income tax calculated. For the profit, remaining after the tax exemt amount as well as the expenses were deducted, Hendricks bought gold. This gold was used to create «Tax» the sculpture and thus could be written off as working material. Thereby Jochem Hendricks’ tax revenue was completely converted into gold and remained in his posession.




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In the project »Corpus« Vidar Hertov investigates diffrent aspects of value. His attempt is to see if it’s possible to do a value transformation from one object to another. Using the car as a precious material and then treating it very ruff to let the material represent the value in the final product.

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»The Bowl« by Vidar Hertov.




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