VVORK

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»Walking Backwards for Ten Kilometres«, 2002 by Hamish Fulton.




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»La rentrée en sol – Cathédrale d’Amiens«, 2005 by Régis Perray.




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»Windwalks«, (2007). A series of walks directed by the wind, filmed and plotted by GPS. By Tim Knowles




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“Going Through Walls” by Gints Gabrāns.




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»Schneezeichnung« (2007)

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»Home 2« (2007) by Olaf Breuning.




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On January 28th, 2008, Janez Janša, Janez Janša, and Janez Janša performed »Signature Event Context« at the Holocaust Memorial in Berlin, a walking action in the corridors of the Memorial. Each one of them, equipped with a GPS device, covered a different path within the Memorial’s structure this way, together assembling a common signature visible only in the internet. During the performance artists continuously repeated “Jaz sem Janez Janša, Jaz sem Janez Janša, Jaz sem Janez Janša…” (“My name is Janez Janša”). »Signature Event Context« at the Holocaust Memorial puts together 3 concepts (signature, event and context) from Derrida’s essay in complex relation; signature itself is an event which re-contextualizes the site of signature. The performance scheduled for the opening of TRANSMEDIALE.08 the 29th of January 2008 at 8.30 pm at the foyer of the Haus der Kulturen der Welt in Berlin, Germany, was conjunctively cancelled by the director of transmediale Stephen Kovats and the Guest-Curator Nataša Petrešin-Bachelez. Consequently, Janez Janša, Janez Janša and Janez Janša rescheduled the date of the action performing on January 28, 2008 at 00.01 am. Watch the performance.




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“Public Square” by Mischa Kuball . Video .




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“Moon walk”,

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“Casual” and “Cousin par alliance” by François Curlet.




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“Eiger, Mönch, Jungfrau”,

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“Candy” (Video) and

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“Infinity” (Video) by Mai Yamashita and Naoto Kobayashi.




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“A line made by walking” (1967) by Richard Long.




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The Miniature Long March” by Qin Ga. Long March Space: “Mao’s ‘Long March’ symbolized the deliverance of the Communist ideal to the Chinese proletariat. It is with this symbolism in mind that we now choose to march contemporary art out to China’s peripheral population.”