»Cool Mint«, 2010 (mouthwash, stainless steel) by Steve Bishop.
From the series “Firm Being”, 2009 by Pamela Rosenkranz. 50cl PET bottle, paper, silicon with pigments.
From the series “Firm Being”, 2009 by Pamela Rosenkranz. 50cl PET bottle, paper, silicon with pigments.
“Fair-weather forces (water level)”, 2008 by Germaine Koh.
Stainless steel stanchions and electronic and mechanical systems with velvet ropes moving up and down in relation to water level, which are transmitted over the internet from an ultrasonic sensor installed at a nearby body of water.
“Transformation Always Takes Time And Energy”,1998 by Pravdoliub Ivanov.
Hot plates, pots, tea pots, cables, water, electricity, time.
“Urban Plaza Equivalent”, 2006 by Michael Cataldi.
55 gallon drums, sandbags, constructuion barriers, weeds, sprinklers.
“[Farsh-02-2004]” and “[Farsh-04-2004]” from the series “Farsh/Teppiche” by Shirana Shahbazi. Handknotted rugs, wool on silk.
“Autoinducer_Ph-1″, 2006, exploits a traditional rice cultivation technique from SE Asia. In the installation this process is reworked in an overly complexified, industrial, laboratory style way. By Andy Gracie, hostprods.
»I considered the title of this work but it never come up. Following things could be related to the title. 1) I love to go out from the exhibition space because of BankART facing the sea. 2)There are so many trashes which some artists made and showed as art work before in BankART. 3) I want to make a raft using those trashes. 4) I think it’s not a question that the raft float on water or not but it’s good to be floating there.«, 2007 by Koki Tanaka.