»Something Is Missing«, 2006, white carerra marble, 29.21 x 19.05 x 12.7 cm. By Valérie Kolakis.
»Book Space«, 2006. 2000 white books installed in public libraries. They can be borrowed for a week and used as the guest choses. The books travel around libraries in different countries.
»Taking Time«, 2006, posters around the streets of Reykjavik city centre by Elin Hansdottir.
“Dead Room” by Camille Norment.
For 3 minutes and 33 seconds at a time, eight large sub-woofers pulse a rhythm of bass frequencies that are too low for the human ear to actually hear. The space is silent, but the sound can be seen as the woofers throb their play cycles, felt as the sound waves move through the body creating a subtle intangible disturbance, and heard in the ‘helium voice’ disruption of the visitors’ voices.
»LIGHT READING 1500 cinematic explosions«, 2006 by Elizabeth McAlpine . The whitest frame from 1500 different cinematic explosions has been taken and compiled together to make a minute long white flickering movie the sound track has become an agitated micro sound due to the editing process.
»Quintet«, 2006; Vinyl records, record player, plywood. By Elizabeth McAlpine .
“Self Portrait of a Working Man Missing a Million Pixels II” and “hus.DSC00109″ by Victor Boullet.
»Wapok«, 2006 (porcelain rice cookers)
»Epuration élective«, 2004
»Snooze«, 2004 (80 radio clocks) by Fayçal Baghriche.
»milch« (2000) by Carsten Nicolai. The basis of milch (milk) is a series of experiments, which examine the relationship between order and disorder by means of a surface of liquid that is under the influence of different frequency-oscillations. In the test series, milk was exposed to sinus waves ranging from 10 to 150 Hz. Sound, almost imperceptible to the ear, appears in this test series as a permanently moving visual structure. Herein the direct interrelation between acoustic signals and visual patterns becomes visible. Lower frequencies make liquids start to move. Dependent on the frequency, different patterns of movement appear. This complex phenomenon causes an interaction of regular and chaotic patterns that can also be compared with acoustic signal interference in a three-dimensional space.
»Wall (Catriona Jeffries Gallery), Wall (Vancouver Art Gallery), Wall (Contemporary Art Gallery), 2005, by Arabella Campbell.
Double Exposure (2007)
Monochrome Volumes (2007) consists of 4 identical cubic wooden boxes fixed side by side to a wall. Each box has a surface measure of 70 x 70 x 70 cm. The bottom, top, and the sides of the surfaces of boxes are painted with a nonreflecting white grounder. The front of each box is sealed with a 3 mm transluscent acrylic sheets. The inside walls of the boxes are covered with white boards on the top, bottom, sides and on the back. The inner volumes of the boxes are individually set apart because the back board inside each box is fixed in different distances to the front acrylic fronts creating four differentiated inner volumes. A special phenomena occurs by the use of the translucent acrylic fronts on the boxes with variable inner spaces. The acrylic refracts the light (natural sun light, artificial or a combination) that naturally shines through it, throws it into the inner space of the box as a diffuse light. Not being able to see the inner space of the box, the viewer perceives a reflection of its volume in the acrylic in the form of a two dimensional, vibrant, monochrome spatial surface. By AVPD (AVPD © Copyright 2007 / Photography by Anders Sune Berg © Copyright 2007).
»Nicole« (2002). In Collages for Men, Pierre Bismuth has re-clothed pictures of naked women from pornographic magazines.
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