VVORK

»Dust Motes Dancing in the Sunbeams«, 1900 by Vilhelm Hammershøi.




»Untitled«, 2011 by Sanya Kantarovsky.




»Sailing by«, 2010, cup and radio playing “Sailing by” four times a day on windowsill with river view. By Juliette Blightman.




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»Impractical Object in a Practical Space« by Lili Huston-Herterich.




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“La Nuit Américaine (The American Night / Day for Night)”, 2007 by Etienne Chambaud.




“The Complete History of Postcontemporary Art I”, 2005 by Josephine Meckseper.




»Involving All Members«, 2008 by Boris Dornbusch.




»used to be a boring life too…«, 2008 by Christopher Samuels.




“That place”, 2007 by Raymond Taudin Chabot.




“Around Noon”, 2007 by Darren Almond. Wall painting according to sunlight.




»Untitled (unpredicteble future)«, 2004 by Mircea Cantor.




»Transparent Island«, 2007 by Markus Rummens.




»JUST SKY«, 2005 by Catrin Andersson.




»Candy Glassware« (sugar glass window, wood frame, sugar, empirical cooking method), 2008 by Matthieu Clainchard.




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»Rooms«, 1997 by Xavier Ribas.




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»Clouds«, from the series Landscapes, 2005 by Michaela Thelenová.




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“Ausblick” by Martin Dörbaum.




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“Metro” by Ilya Trushevsky.




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Double Exposure (2007)

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Monochrome Volumes (2007) consists of 4 identical cubic wooden boxes fixed side by side to a wall. Each box has a surface measure of 70 x 70 x 70 cm. The bottom, top, and the sides of the surfaces of boxes are painted with a nonreflecting white grounder. The front of each box is sealed with a 3 mm transluscent acrylic sheets. The inside walls of the boxes are covered with white boards on the top, bottom, sides and on the back. The inner volumes of the boxes are individually set apart because the back board inside each box is fixed in different distances to the front acrylic fronts creating four differentiated inner volumes. A special phenomena occurs by the use of the translucent acrylic fronts on the boxes with variable inner spaces. The acrylic refracts the light (natural sun light, artificial or a combination) that naturally shines through it, throws it into the inner space of the box as a diffuse light. Not being able to see the inner space of the box, the viewer perceives a reflection of its volume in the acrylic in the form of a two dimensional, vibrant, monochrome spatial surface. By AVPD (AVPD © Copyright 2007 / Photography by Anders Sune Berg © Copyright 2007).




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»Long Wave Goodbye«, 2006, 33-minute sound loop by Michael Day. “Some sounds persist as signifiers of other meanings even though they rarely occur in daily life: the screech of a stylus being pulled from a vinyl record is often used as a clichéd way of drawing the audience’s attention to a sudden change of pace in visual broadcast media, even though very few people under the age of 20 will recognise the source of the sound or what it originally signified. Tuning, or dead air, may well end up the same, a signifier dislocated permanently from its signified. This piece presents a transition across the full range of the long wave spectrum available on the Technics SA-200L.”




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