»Worker«, 2008 by Cécile Hartmann.
»FREE SOL LEWITT«, 2010 by SUPERFLEX.
»Role Exchange«, 1975 performance by Marina Abramovic. This dual performance was executed in two institutions, De Appel Gallery and the Red Light District in Amsterdam. For the opening night of the artist’s exhibition, the prostitute went to the gallery, the artist’s working place, while the artist, assuming the role of a prostitute, went to the Red Light District, and set in the window, the prostitute’s working place.
»M-path« is based on 300 pairs of second-hand shoes collected from the suburbs of a city, and then loaned to visitors to wear for viewing an exhibition. By Adam Chodzko.
“Reenactment of Chris Burden’s Shoot” from the series “Synthetic Performance in Second Life” by Eva and Franco Mattes aka 0100101110101101.ORG. See also “Shoot” by Chris Burden.
»The Landscape Is Changing« (2003) shows demonstrators marching in silence through the streets of Tirana with blank mirrors.
In »Double Heads Matches« (2002/03), the production of 20.000 boxes of double-headed matches at Gherla Match Factory in Romania is documented. The production is done manually as the double-phosphorus dipping is not realizable through mechanic production.
»Diamond Corn« (2005). All three projects by Mircea Cantor.
»Table Tennis Players«, 2005, at the ARTZONE in Kyoto by COUMA. A table-tennis table was placed in the center of the venue and the six members stayed at the venue for as long as possible, playing table tennis while completing the work. COUMA consist of six artists who continue to pursue individual careers. The members are: Takehiro Iikawa, Teppei Kaneuji, Yuki Kimura, Manpei Tsurubayashi, Ai Nakagawa and Hyougo Hofuku. They met through playing table tennis. Into their works they reduce the world that emerges when the heights of table tennis are reached.
»Berlin – Paris – Berlin (Travel Agency)« from 1997 is based on the sale of travels as art objects (with lower tax than in normal travel agencies), made possible by selling the travels together with certificates. By Jens Haaning.
Selection of images from the series »troops of defense / strategic places« by Vincent Debanne.
»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.
»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”
»’At’ Asserting its Object Status«. Found sculpture.
»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.
During the last remaining weeks of the year 2000 Jochem Hendricks had his annual income tax calculated. For the profit, remaining after the tax exemt amount as well as the expenses were deducted, Hendricks bought gold. This gold was used to create «Tax» the sculpture and thus could be written off as working material. Thereby Jochem Hendricks’ tax revenue was completely converted into gold and remained in his posession.