VVORK

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»China Town Graz« (2003) and

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»how to do that?« (2001) by Jun Yang.




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»Vinyl«, 2006. The ice tray of a record by Lyota Yagi. Video.




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“Marches for another season” is an ongoing project of banner marches initiated in 2003. By Tom Nicholson.




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»Olympic Snow«,

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»Now Is More Than Ever« and

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»Vocal Trance Lyrics« by Damon Zucconi.




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»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.




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“Mekong (Luang Prabang)” and “Ananas” from the series “Tablesculptures” by Ronald Kodritsch.




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“The Abandoned Resting Zone of an Assistant Saint” by Herwig Weiser.




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“Crema” – Nezaket Ekici turns fluidly cream to butter. Duration of the performance: 20 min.




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»Living In The Eternal Mortal Edge« and

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»Holograma en la Espuma de Citerea« by Videogramo.




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»Merry Christmas And A Happy New Year«, 2005. Maja Bajevic.




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»spider web« (2007) and

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»compressed video thumbnails« (11-19-06) by Travis Hallenbeck.




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»Porträtgalerie«, 1992.

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»Tisch Mit Raketen«, 1993 and »Without Title«, 2005. All by Roman Signer.




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“The good samaritan” by Paul Knight.




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“Hidden Town” by Gregor Graf.




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»Autoportraits-Robots«, 2005. By Berra Leandro. See also Sonja Feldmeier and Oliver Laric.




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»Virtuoso« (2000) by Christian Marclay.




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Two of “13 captured telephone conversations – all one minute long” (machine embroideries) and

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“Ground Plan” – the world as an architectural plan by Louisa Bufardeci.




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»pigeons aligner«, 1996.

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»totalmaxigoldmachine2000«. A soundtrack consisting of very short samples of dance music hits, broadcast non-stop and very loud in one of the rooms at the exhibition of Negotiations, at the CRAC in Sète, on the theme of trade and capitalism. »mmmmmm«, 2000. Monologue lasting about 50 minutes in which the aphasic Michel Prades talks about his relation to language, the poems he writes, and the accident that caused his handicap. This soundtrack was broadcast in the streets of Cahors by the loudspeaker system normally used to announce commercial services. By Boris Achour.




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Mi Magazine Issue 04, “David Moises Issue” published in +rosebud.




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“Rooftop Room” consists of a tin roof constructed on top of a privately owned flat-roof house in Kustepe, Istanbul.

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“Permanently Unfinished House with Cell Phone Tree”. A cell tower is disguised as a tree. The house remains unfinished, so the owners can avoid paying taxes. Visual pollution and deregulation shape both the built and the natural environments. All Projects by Marjetica Potrc.




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