»China Town Graz« (2003) and
»how to do that?« (2001) by Jun Yang.
“Marches for another season” is an ongoing project of banner marches initiated in 2003. By Tom Nicholson.
»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.
“Mekong (Luang Prabang)” and “Ananas” from the series “Tablesculptures” by Ronald Kodritsch.
“Crema” – Nezaket Ekici turns fluidly cream to butter. Duration of the performance: 20 min.
»spider web« (2007) and
»compressed video thumbnails« (11-19-06) by Travis Hallenbeck.
»Porträtgalerie«, 1992.
»Tisch Mit Raketen«, 1993 and »Without Title«, 2005. All by Roman Signer.
»Autoportraits-Robots«, 2005. By Berra Leandro. See also Sonja Feldmeier and Oliver Laric.
Two of “13 captured telephone conversations – all one minute long” (machine embroideries) and
“Ground Plan” – the world as an architectural plan by Louisa Bufardeci.
»pigeons aligner«, 1996.
»totalmaxigoldmachine2000«. A soundtrack consisting of very short samples of dance music hits, broadcast non-stop and very loud in one of the rooms at the exhibition of Negotiations, at the CRAC in Sète, on the theme of trade and capitalism. »mmmmmm«, 2000. Monologue lasting about 50 minutes in which the aphasic Michel Prades talks about his relation to language, the poems he writes, and the accident that caused his handicap. This soundtrack was broadcast in the streets of Cahors by the loudspeaker system normally used to announce commercial services. By Boris Achour.
“Rooftop Room” consists of a tin roof constructed on top of a privately owned flat-roof house in Kustepe, Istanbul.
“Permanently Unfinished House with Cell Phone Tree”. A cell tower is disguised as a tree. The house remains unfinished, so the owners can avoid paying taxes. Visual pollution and deregulation shape both the built and the natural environments. All Projects by Marjetica Potrc.