»The Landscape Is Changing« (2003) shows demonstrators marching in silence through the streets of Tirana with blank mirrors.
In »Double Heads Matches« (2002/03), the production of 20.000 boxes of double-headed matches at Gherla Match Factory in Romania is documented. The production is done manually as the double-phosphorus dipping is not realizable through mechanic production.
»Diamond Corn« (2005). All three projects by Mircea Cantor.
“Untitled (Rainbow)”, “”Untitled (Tree Pants)”,
“Untitled (Log with Model of the Universe)” and “Untitled (Unfinished Hand)” by Peter Coffin.
»Table Tennis Players«, 2005, at the ARTZONE in Kyoto by COUMA. A table-tennis table was placed in the center of the venue and the six members stayed at the venue for as long as possible, playing table tennis while completing the work. COUMA consist of six artists who continue to pursue individual careers. The members are: Takehiro Iikawa, Teppei Kaneuji, Yuki Kimura, Manpei Tsurubayashi, Ai Nakagawa and Hyougo Hofuku. They met through playing table tennis. Into their works they reduce the world that emerges when the heights of table tennis are reached.
“Untitled 1″ (broom sweeps floor every second) and “Untitled 3″ (graphite disc is thrown every hour at 17 minutes past the hour) by Piero Golia.
“Unité d’accueil”, “Sous-marin”,
“Kippen’s Burger” and “Robot force” (video of the production) by Sophie Dejode & Bertrand Lacombe.
»New York City Public Schools Connected in Numerical Order« (The Bronx) by Neil Freeman.
»Untitled« (2006) by Bandai Yosuke,
»Untitled« (2006) by Matsubara Soshiro and
stills from »Tail to Tail« (2006) by Cobra of Miho Kanno.
Photographs from the »Scene« series by Tomoko Yoneda. »Beyond Memory and Uncertainty«. American B-52 returning from a bombing raid on Iraq, Fairford. »EnglandBeach«. Location of the D-Day Normandy Landings, Sword Beach, France. »Forest«. Location of the Battle of Somme, Delville Wood, France.
The picture of two trains moving in opposite directions is exposed to the continuing process of digital compression. By first importing and then exporting the material of five seconds length into the software, the information of the footage is diminished step by step until the formerly concrete image vanishes into white. “Import/Export” by Wolfgang Bittner and Florian Kindlinger.
