VVORK

»Not yet titled«, 2008 by Rosemarie Trockel and Thea Djordjadze.

“Actions in the Universe“, 2008 by David Bestué and Marc Vives.

»Untitled (Body Tracks)«, 1974/1975 by Ana Mendieta.

Performance by Shana Moulton.

»CORRAZZA DI MICHELANGELO«, 1963 by Paul Thek.

“Sucking Marks $10”, 2006 by Marlene Haring. Commercial service.

»Rastavljena«, 1981/82–2007 by Sanja Iveković.

“Arbeit an Bildern/Bodybuilding”, 1994/1997 by Frank Fietzek.

“Bicycle Quatering“, 2008 by Rainer Ganahl.

»Untitled«, 2007 by Emre Hüner.

»Lick and Lather«, 1993 by Janine Antoni. 14 portrait busts, cast of a model of the artist herself and mounted on look-a-like ancient classical pedestals. Seven statues were cast in white soap, and the other seven in brown chocolate, and then reshaped by the rather subjective acts which engaged her tongue passing over, and the frothing up of bubbles, fizz, effervesce…

»Untitled«, 2007 by Zai Nomura.

»Body Painting with Koe in Stockholm«, 2007, by Aida Makoto.

“Inventory” by Carey Young. The artist was weighed on June 27 2007, the date on which this art work was commissioned. In consultation with two scientists, Dr. John Emsley (University of Cambridge) and Dr. Ilya Eigenbrot (Imperial College London), calculations were made as to the mass and current market value of each chemical element present in the artist’s body at the time of weighing. The total market value of these elements (expressed as a graphic on the wall) plus a print of the calculation data constitute the form of this piece. The calculated market value also represents the initial sale price of this piece.

»J&K in Egypt« work in progress by Janne Schäfer & Kristine Agergaard.

Image taken from the series »La chute« (2005-2006) by Denis Darzacq.

»Morphotransformations«, 2006 and

»Optoshaker«, 2006, examines the technical process of image-presentation of thermionic monitors by making the skull vibrate, and thus the eye of the observer. Through interferences between the frequency of the monitor‘s image structure and the vibrations of the eye the presented freeze image changes. By Daniel Hafner.

»100kg Man«, 2004 by Satoru Tamura.

“Untitled, 2003” was initiated in 2002 when Andrea Fraser approached Friedrich Petzel Gallery to arrange a commission with a private collector on her behalf. The requirements for the commission were to include a sexual encounter between Fraser and a collector, which would be recorded on videotape, with the first exemplar of the edition going to the participating collector.

ABC (Art Business Consulting) group