VVORK

»Camouflage Church« (2006)

»There Will Be No Miracles Here« 2006

»The Lamp of Sacrifice« (286 Places of Worship, Edinburgh 2004) by Nathan Coley.

Different perspective views of the Matterhorn mountain from the »Geologie des Matterhorns 3D«, 2003, a cartographic work by Peter Staub.

»Cordilleras« (2007),

»Terra incógnita. Los polos en Google Earth.« (2006) by David Peña Lopera.

Video of the installation from the exhibition »The House of Osama bin Laden«, 2003, commissioned by the Trustees of the Imperial War Museum, London.

»The Mosque of al-Hakim«, 1995, by Ben Langlands & Nikki Bell.

»Un jour«, 2007

»BankeRåt«, 2007 by Séverine Hubard.

»123 fantaisies«, 2004 by Baptiste Debombourg.

„No-Man’s-Land«, 1999-2001 by Ni Haifeng.

“New Discoveries” by Oliver Kochta.

“Vanités” by Pierre Vanni.

»Argument #2«, 1997 by Tom Bendtsen.

»Book Fort« (2006) by Dash Snow.

“Rescue Mountain” by Jared Steffensen.

»Kymlinge« (2002) is a research and consultation project by Jan Aman, Micke Daun, Angelo Plessas and Andreas Angelidakis on new ways of developing towns in Sweden. A model of simulated organic growth is proposed, in part inspired by strategy and RPG games: Begining with the installation of low cost raw »industrial« spaces that would attract young people with the ikea energy to fix them up. This demographic would start-up a new area of Stockholm, creating at first a solution to the housing problem, and leading into the area gradually becoming a »cool« destination inside the city.

“Magic Car-Pet” by Any:Time.

»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.

“Untitled (Rainbow)”, “”Untitled (Tree Pants)”,

“Untitled (Log with Model of the Universe)” and “Untitled (Unfinished Hand)” by Peter Coffin.

Photographs by Thomas Adank.

True-to-scale model of his atelier – part of “Astronaut (be right back)” and

“The Shaft of Babel” by Hans Schabus.

Diana Cooper.

Holy Spirit Come Home by Fred Eerdekens.